Address
304 North Cardinal St.
Dorchester Center, MA 02124
Work Hours
Monday to Friday: 7AM - 7PM
Weekend: 10AM - 5PM
Address
304 North Cardinal St.
Dorchester Center, MA 02124
Work Hours
Monday to Friday: 7AM - 7PM
Weekend: 10AM - 5PM


The recent resolution of the writers’ strike between the Writers Guild of America (WGA) and the Alliance of Motion Picture and Television Producers (AMPTP) carries numerous implications for the AI industry, U.S. businesses, labor relations, and the broader economy. Lasting from May 2 to September 27, 2023, this strike emphasized the significance of collective bargaining in the entertainment sector while also raising questions about the fairness of the settlement.
Collective bargaining is a commonplace practice across various industries, including entertainment, allowing workers and employers to negotiate thinks like wages, working conditions, and employment terms. In this case, the WGA and AMPTP employed collective bargaining to secure an agreement that included increased compensation and benefits for screenwriters in a rapidly changing industry.
While collective bargaining serves as a tool for workers to ensure fair and equitable treatment and improved conditions, the strike prompted discussions about whether it verged on being coercive. The writers’ stance against adapting to evolving technologies and business models in the entertainment industry, and their insistence on “fair” (a debatable concept) compensation, raised questions about protectionism. Some argue that this strike was an instance of pushing for traditional roles and compensation structures in the face of industry transformation, resembling a form of bullying and refusal to accept and adapt to change.
This settlement, seen by some, including myself, as another manifestation of union bullying and strong-arm tactics, highlights the strain collective bargaining imposes on companies, especially those striving or even struggling to earn a profit. Negotiations with unions leads to higher labor costs, deterring future negotiations with unions, resentment and, in many cases, causing companies to go offshore or face bankruptcy. It also has the potential to compromise a company’s competitive edge in the market, harming the product and the consumer.
In the early days of industrialization, unions emerged to safeguard workers from exploitation, advocating for better wages, working conditions, and benefits. It made sense back then. While this served a noble purpose in ensuring fair treatment, not all unions were founded with noble intentions. Many unions were established by the mafia, using strong-arm tactics to control and extort businesses. The legacy of this history still influences some union practices today.
The settlement of the writers’ strike could shape the future of collective bargaining in the entertainment industry. A successful agreement between the WGA and AMPTP might encourage other unions to employ collective bargaining to enhance their members’ compensation and working conditions. This could potentially lead to the further exodus of companies from the US, which helps foreign economies and depletes our own.
The settlement’s fairness is also a matter of debate. Critics contend that it fails to consider the evolving nature of the entertainment industry, marked by the emergence of streaming services and the increasing use of AI in content creation. In this view, the traditional compensation model for screenwriters may no longer be sustainable or relevant.
On the other hand, proponents of the strike argue that it was necessary to protect the rights of screenwriters and ensure fair compensation, vital for the entertainment industry’s sustainability. Although I’m not sure what “rights” they’re referring to. They stress that fair compensation is crucial to motivate writers to produce high-quality content, benefiting the industry as a whole.
Furthermore, the settlement has implications for the future of AI in entertainment. As AI’s presence in the industry grows, disputes over AI-generated content’s ownership and control are likely to increase. The settlement may offer insights into how to address such disputes, or how not to address such disputes.
It could set a precedent for future negotiations concerning compensation for AI-generated content, possibly prompting more investment in AI-generated content, supported by the willingness of companies to pay for high-quality AI-generated material.
However, I, like Google, would promote and even pay for quality content, whether created by humans, AI or a combination of both, which is usually the case.
Nonetheless, the settlement will inevitably lead to unintended consequences, including higher labor costs for companies and a potential slowdown in the development and production of AI-generated content and the natural evolution of the industry. Ultimately, the settlement’s impact will be contingent on its implementation and the entertainment industry’s capacity to adapt to evolving technology.
I want to say that I had mixed feelings on this issue, because I myself am a writer. So I like the idea of protecting writers and my industry, however, I’m not willing to do it at the expense of what’s right. Of course, I like being paid high wages, but not at the expense of destroying a company and eventually the economy.
I know it’s hard, even impossible to say no to a high wage, but we are now seeing the outcome of years of strong-arming companies into submission — A strong economy in China (thanks to us forcing domestic companies offshore), and an economy on the verge of collapse here at home.